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Book Review: *Olive Kitteridge* by Elizabeth Strout

olive-kitteridge

  • Olive Kitteridge by Elizabeth Strout
  • Paperback: 304 pages
  • Publisher: Random House Trade Paperbacks; Reprint edition (September 30, 2008)
  • ISBN-13: 978-0812971835
  • Back-of-the-book blurb: At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

    As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life–sometimes painfully, but always with ruthless honesty.  Olive Kitteridge offers profound insights into the human condition–its conflicts, its tragedies and joys, and the endurance it requires.

    She is Too Fond of Books’ Review: Olive Kitteridge was on my MUST READ SOON list for three months before I picked it up; I’m hoping I can convince you to put it at the top of yours.  I first learned of the book when I attended an Author’s Breakfast as part of the Concord Festival of Authors this fall.  Elizabeth Strout was one of the authors who read from her novel and took questions from the audience that morning.  Click here to listen to Strout read an excerpt; you’ll appreciate the chuckles and murmurs from those of us in attendance (and please ignore the clinks of flatware and juice glasses).

    These thirteen short stories are linked by Olive Kitteridge, who has lived in the coastal town of Crosby, Maine her entire life.  We first meet Olive in her mid-forties, married to her husband Henry (a pharmacist), mother of an only child, Christopher.  Olive is a school teacher, and as the stories are told, we learn that she was feared by many, liked by some, and respected by all.

    She’s a pragmatic “Mainer;” some might find her unnaturally cold, but she reads very real to me.  She tells is like it is, and thinks sentimentality is foolish.  In one scene a friend thinks Olive is suffering and asks “Doesn’t it make you angry?!?”.  Olive replies, “no sense in getting angry, what’s done is done.”

    I appreciated this exchange between Olive and a young girl who walked in on Olive while she was resting during a party at her son’s house, it shows Olive’s gruff exterior contrasted by her visceral reaction to her own aging and mortality:

    “Hello,” Olive says to the little girl, but the child does not reply.  After a moment, Olive says, “How old are you?”  She is no longer familiar with young children, but she guesses this one is around four, maybe five …

    Still the child says nothing.  “Run along now,” Olive tells her, but the girl leans against the doorjamb and sways slightly, her eyes fixed on Olive.  “Not polite to stare,” Olive says.  “Didn’t anyone teach you that?”

    The little girl, still swaying, says calmly, “You look dead.”

    Olive lifts her head up.  “Is that what they teach you to say these days?”  But she feels a physical reaction as she leans back down, a soft ache beating on her breastbone for a moment, like a wing inside her.  The child ought to have her mouth washed out with soap.

    The stories are presented in chronological order, so we see Olive and Henry age (and all that comes with it), their son grow, marry and move away.  We also see the intricacies of small town life, and how “small town” doesn’t mean “dull” or “simple”.  Strout has the ability to make the townspeople of Crosby as fully-developed and detailed as any characters I’ve met in a long time.

    Olive and her family are the main characters in perhaps half the narratives.  She plays a role in each of the others, whether as a minor character or someone mentioned in passing.  It is through this clever structure the reader gets close to Olive, as if seeing her through a magnifying glass.  We then pull back and see her through the eyes of another character.  She is so intense that this is a much-appreciated break.  After reading several chapters I realized that Olive herself needs a break from this close scrutiny; she has the quirky habit of putting on her sunglasses when she feels uncomfortable or exposed; this is one of her traits that I found most endearing.

    Each story is full enough to stand alone as a strong short story.  Woven together, the narratives in Olive Kitteridge form a beautiful and complete portrait of a special woman.

    The paperback version I read has the Random House Reader’s Circle “Readers Guide” which includes an interview with the author and “Olive Kitteridge” herself (!), as well as twenty discussion questions, also available online.  Elizabeth Strout is the author of Amy and Isabelle (1998) and Abide with Me (2006); I’ve added both to my wish list.  Author photo credit Jerry Bauer.

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