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Book Review: *Woman Made of Sand* by Joann Kobin

  • Woman Made of Sand by Joann Kobin
  • Hardcover: 170 pages
  • Publisher: Delphinium Books; 1 edition (February 2002)
  • ISBN-13: 978-1883285234
  • Back-of-the-book blurb:  ”It never entered my mind that anyone in my husband’s family would die,” muses Harriet Stedman at the beginning of this wise and tender first novel-in-stories. On the day of the family patriarch’s funeral, the hairline cracks in her marriage and life deepen as the hope for family unity recedes. If Harriet is anything, she is a truth-seeker, a compassionate woman who walks that uneasy line between love of her family and respect for her own vitality and desires.  Woman Made of Sand is the exquisitely rendered story of Harriet, her husband Phillip, and their two children, whose lives flirt with dissolution but then rise through pain to a new wholeness.

    She is Too Fond of Books’ review: Woman Made of Sand is a collection of insightful stories which focus on Harriet Stedman.  Each chapter can stand alone, but together they present a complete portrait of Harriet, who narrates most of the stories; a few are told in the third person by an omniscient narrator.

    Harriet is in her mid- to late-forties when we meet her; we follow closely the next six or seven years of her life, as her children grow, her relationship with their father (Phillip) changes, and she becomes more confident in her professional calling, while at the same time wrestling with insecurities about the lack of tight connection between her and her daughter, Matina.  I found this push-pull relationship, which appears in several chapters, to be most interesting.  Matina protects and defends Harriet, yet she seldom allows her mother to get truly close to her.

    The chapters are arranged in rough chronolocial order.  Every once in a while Kobin dips into Harriet’s past – we visit with her on a family vacation when she was a child, and see the Stedmans when their own children were younger.  The bulk of the novel, however, stays with Harriet during what some would call her middle age years.

    The language is, simply put, beautiful;  I got chills when I read (p. 83 in the chapter/story “Woman Made of Sand”):

    He stood behind her and let his hand rest on her shoulder, close to her neck.  His hand said love in a secret sign language that she could feel but that Matina couldn’t see.

    Through Harriet, Joann Kobin shows a range of emotions, internal struggles, and feelings that many find difficult to put into words.  She succeeds, however, conveying both tension and awareness, as in this passage from the chapter/story “Rain.”  (p. 6):

    … He didn’t respond and as usual I continued, even though I knew I shouldn’t; I was trying to learn not to fill the silences, but to bear them.  I was trying to learn that there wasn’t an answer for every question or a reason for every decision.  I wanted to believe that he understood our life in the same way I did.

    Harriet is sometimes the recipient of unwelcome life lessons, and she takes the reader to the virtual classroom with her.  As I’m watching my own children grow and change, I know that ultimately we want them to be wise and strong enough to be independent, yet we want to always protect them.  A neighbor tells Harriet (p. 63 in the chapter/story “What I Learned from Clara”):

    And then your children get older and become more like regular people.  You go on loving them but there are times you don’t always like them.  Your children can’t save you from your own life, Harriet.  And only when you’re young do you think you can save them.  You’ve got to let people be who they are.

    Obviously I was very taken with Kobin’s writing, and the story of Harriet Stedman.  I marked many passages, read several aloud to my husband, and put the book to the side a few times, so that I could let the words and thoughts settle within me.  I’ll end with one last passage; one of Harriet’s thoughts which mirrors how I felt when I turned the last page (p. 170 from “Will and Discipline”):

    I had to tell myself that this dance hadn’t begun and wouldn’t end in the ways we’d been taught to believe.  It had its own wild and frightening sort of beauty.  I loved it and wanted more.

    I enthusiastically recommend Woman Made of Sand.  Please don’t be put off by the “novel in stories” distinction; it reads as smoothly as a straight-forward novel.  You’ll find a complex cast of characters, centered around the multi-faceted Harriet Stedman.  Joann Kobin’s writing is precise, and capable of evoking unexpected emotions, as she gets so neatly into Harriet’s thoughts.  I loved it and wanted more.

    About the author:  Joann Kobin’s short fiction has appeared in many journals, including New England Review, Ploughshares, and the Virginia Quarterly Reivew.  She has been a MacDowell Fellow and has taught fiction at Mt. Holyoke and Hampshire Colleges.

    FTC Disclosure:  review copy provided by the publisher.

    11 comments to Book Review: *Woman Made of Sand* by Joann Kobin

    • Beautiful! I can see why you were touched by it. That passage about your children about made me cry. I don’t want them to be normal people that I don’t always like! They’re my babies! But everyday, I do see it happening. This was really a wonderful review.

    • This is new to me and I think I would enjoy it. Thanks for sharing the extracts.

    • Did it remind of you of the format for Olive Kitteridge? I am so drawn to the premise (and the cover.) Great review!

    • Sounds good to me. The passages that you quoted are just gorgeous.

    • Sandy – I was so taken by it! I can only find Kobin published in journals (not another book), I’m going to try to track down some more of her writing.

      Ladytink – there is imagery of disappearing and re-forming, with one of the chapters taking the same title.

      Beth F – beautiful work. It’s the first book I’ve read from Delphinium, I think they’re a lit-fiction niche.

      Julie – yes, very much so, I didn’t want to draw that line in the review (wanting to let WOMAN MADE OF SAND stand on its own), but it’s a very similar format and wonderful writing style. The biggest differences are that WOMAN MADE OF SAND is told primarily in first person, and focuses on a more concentrated period in the main characters life (dipping into earlier times, but mostly her mid-40s to early 50s)

      Nicole – this was pub’d in 2002. I’m hoping more people who enjoyed the ‘novel in stories’ format of OLIVE KITTERIDGE will learn about this beautiful book.

    • As I was reading your review, I thought it sounded similar to the format of Olive Kitteridge. Glad to see I was right. This book sounds marvelous and like one a lot of women could relate to.

    • This sounds wonderful. Once again, you’re doing damage to my wish list, Dawn – thanks!

    • I am thinking that the style of this book reminds me of Olive Kitteridge. Is it the same type of book, or am I way off base? It does sound like an incredibly good read, and I loved the quotes you provided. I have already added this book to my wish list and hope that I can read it soon. Great review, it seems that this book really touched your heart.

    • I read this book a few years ago, and I thought it was just okay. I didn’t really like Harriet, but I also don’t remember those passages you included. Since I enjoyed reading them this time around, so now I’m wondering if maybe I’m at a point where I should give it another try. I don’t really remember the details, just that I read it, so maybe I could approach it like I was reading it for the first time.

    • Joann Kobin

      Your sensitive review of WOMAN MADE OF SAND, which I just discovered, delighted me. I very much appreciated the quotations from the text that you chose. They gave a good feel for the book.
      It’s wonderful to have a blog like this that brings previously published books to the public eye, to the light. What a wonderful service your blog performs. Congratulations and thanks for doing it.
      I appreciated the comments of people who responded and especially the comparisons to OLIVE KITTREDGE, a book I loved that was published after WOMAN but reminded me of my own work: its linked story format and the rich view of family members and their relationships over time.
      I’m working on a similarly structured novel about a quirky psychiatrist as he moves from his early fifties toward retirement age — his life, loves, and times. Joann Kobin

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